Related Literature for Inventory System free essay sample

Direction of the understudies and understudy educators and get the last rundown of legitimate understudy second day/Saturday Dec. 1, 2012 * first checking the participation of the understudies and separate them from (3 †5),(6 †8),(9 †15) 3-5 goes to Carina, Mae and Malabunga 6-8 take in charged by Judith and Canaria while 9-15 handle by Battalier, Quientela and Berdin. 3nd day/Saturday Dec. 8, 2012 * Teaching the understudies 4nd day/Saturday Dec. 15, 2012 * Teaching the understudies 5nd day/Saturday Dec. 22, 2012 * Teaching the understudies 6nd day/Saturday Dec. 29, 2012 No classes since CWTS and LTS understudies went to Provincial Jail. 7nd day/Saturday January 05, 2013 * (Delayed of Christmas Party) Christmas Party of the understudies was medyo deferred for certain reasons. We arranged games, blessing and a few nourishments to share. 8nd day/Saturday January 12, 2013 * Continue of showing the understudies 9nd day/Saturday January 19, 2013 * Teaching the understudies tenth day/Saturday January 26, 2013 * Teaching eleventh day/Saturday February 2, 2013.

Response to 4 students postings with 60 words and 2 references for Coursework - 2

Reaction to 4 understudies postings with 60 words and 2 references for every reaction - Coursework Example The author presents his discoveries from a methodology whereby he takes a gander at how and why both legitimacy and dependability can be dictated by utilizing fundamental tests and scales. Also, the blend of more than each scale in turn is featured (OConnor, 2011). This was a significant perspective for the author to have secured in light of the fact that clears specialist who may have a few questions with presenting new types of scales with a current scale they might be managing from their questions (Gardener, 2009). A significant point of view of the writer’s work has to do with the way that he expressed off by taking progressively about the benefits of utilizing scales. In this, he clarifies that scales are utilized to â€Å"resolve the multifaceted nature innate in people’s behavior† (Frankfort-Nachmias and Nachmias, 2008, pp.422-424). By this, scientists get a direct data with respect to the requirement for them to make due with one type of scale or the other. The essayist could anyway expound more on the shortcomings of utilizing explicit scales with the goal that scientists can be keeping watch for these shortcomings and address them fittingly in their exploration forms (Gardener, 2009, p. 232). A great part of the attention on the estimation of the legitimacy with the utilization of scales was limited to the populace that the analyst needs to manage. In this, the essayist stressed that the populace is the available gathering of individuals that the specialist would need to manage (Experiment Resource, 2011). By this, different scientists are offered a knowledge into how well to control their populaces to guarantee that they accomplish unwavering quality and legitimacy for every sort of scale that they pick (Gardener, 2009, p.

Functional Transition Assessment Free Essays

Practical Transition Assessment endeavors to coordinate the understudy into the work power while the understudy is still in secondary school. It gives an impermanent scaffold or bolster structure for the understudy making the progress from an instructive to a professional situation. Albeit all understudies can profit by such help, for understudies with incapacities such a program can demonstrate particularly basic. We will compose a custom exposition test on Useful Transition Assessment or then again any comparative theme just for you Request Now Likewise by consolidating professional training from the get-go to the student’s secondary school vocation, Functional Transitional Assessment can ingrain an awareness of other's expectations in the understudy and affirm the reasonableness of the student’s instruction. Accordingly, in can go about as persuasive apparatus to prevail in the study hall and in workforce. As you would like to think, how significant is self-assurance for the Exceptional Student Education understudy in achieving his/her instructive objectives? The Exceptional Student Education understudy may regularly feel that the person has been denied the capacity to practice a lot of self-sufficiency and authority over their every day life, in any event, when under the direction of benevolent guardians and teachers. It is important that understudies, to work viably in the workforce and in the public arena, accomplish a feeling of self-rule and freedom through sensible, self-decided activities and decisions all through the instructive procedure. For what reason do you think word related direction has become continuously and progressively increasingly noticeable in secondary schools? The working environment has developed progressively serious, specialized and had some expertise in nature, in this manner there is more weight upon understudies to practice prior and prior in their instructive professions. The cost of an advanced degree has additionally heightened, making numerous understudies go to explicitly professional and specialized schools after secondary school. Understudies may likewise wish to look for temporary jobs and low maintenance employments to support their trainings that pass on important aptitudes and information to their future full-time vocations. Individual Social Skills. As you would see it, how significant is it for a student’s future accomplishment in the progress to the work power? Passionate Intelligence, or the capacity to cooperate with other people, and to be touchy to other persons’ needs is a basic part of professional achievement. It isn't sufficient to realize how to play out an undertaking. One must realize how to perform to one’s best capacity in a hierarchical setting. Step by step instructions to refer to Functional Transition Assessment, Papers

Pennsylvania State System of Higher Education Internal Controls Essay

Pennsylvania State System of Higher Education Internal Controls - Essay Example The administration is made out of qualified individuals both scholastically and the executives insightful and consequently won't just give new angle scholastically yet in addition guarantee that the administration framework is composed which prompts powerful arranging. The structure of PASSHE contains the leading body of governors, the chancellor, the 14 leaders of the colleges and 14 gatherings of trustees each speaking to the 14 colleges. The leading group of governors which is made of 20 individuals is the one that settles on an official choice and this forestalls power being vested in one individual just (the chancellor). The structure additionally allows decentralization of choices and assets and thus making arranging simpler and quicker. The way of life of PASSHE is generally gotten from the statement of purpose which is to give directions to graduate and college understudies past even the master’s level and in the fields of expressions, sciences and even applied fields. It is this strategic has guaranteed its sole culture is advancing instruction and demonstrable skill. It is the exacting after of this strategic has prompted PASSHE having significantly more than 600,000 graduated class, an expansion in the colleges and even a presentation of new investigations. The inner procedures of PASSHE incorporate the administration of the workers, understudies and offices. The smooth running of these zones is the thing that causes the organization to accomplish its republic norms. On the off chance that one of these zones and their procedures neglects to work or eases back down, at that point the rest will likewise be influenced in light of the fact that these inward procedures are reliant. Arranging in this manner must include these territories

The Yellow Wallpaper Essay - 825 Words

The Yellow Wallpaper (Essay Sample) Content: SurnameInstructorClassDateThe Yellow Wallpaper as a Piece of Feminist FrictionFeminism includes different ideals and steps, aimed at achieving and defending rights and equality. This is typically the perspective that Charlotte Perkins Gilmanà ¢Ã¢â€š ¬s, "The Yellow Wallpaper" assumes. In the Yellow Wallpaper, Gilman shows the struggles the female face when seeking for freedom in the male dominated society. In view that Gilmanà ¢Ã¢â€š ¬s work vividly talks from the feminist point of view, it should be considered primarily a piece of feminist fiction instead of labeling it as Gothic Horror, Realism, or Romanticism.Initially, the Yellow Wallpaper portrays the husband as dominating spouse on thought. This is a typical explanation of what exists in society where man/husband assumes an absolute control in marriage. The author describes men in the society as people who see womenà ¢Ã¢â€š ¬s ideas and thoughts immature, thus do not take them seriously. For instance, Gilman states that the husband laughs at the narrator who they are supposed to help each other in marriage ADDIN CSL_CITATION { "citationItems" : [ { "id" : "ITEM-1", "itemData" : { "author" : [ { "dropping-particle" : "", "family" : "Gilman", "given" : "Cltarlotte Perkins", "non-dropping-particle" : "", "parse-names" : false, "suffix" : "" } ], "edition" : "9th editio", "id" : "ITEM-1", "issued" : { "date-parts" : [ [ "1982" ] ] }, "page" : "1-10", "title" : "the Yellow wall-Paper .", "type" : "book" }, "uris" : [ "/documents/?uuid=9c7973af-f602-4b2b-8a33-f32778754f51" ] } ], "mendeley" : { "formattedCitation" : "(Gilman)", "manualFormatting" : "(Gilman, pg 1)", "plainTextFormattedCitation" : "(Gilman)", "previouslyFormattedCitation" : "(Gilman)" }, "properties" : { "noteIndex" : 0 }, "schema" : "https://github.com/citation-style-language/schema/raw/master/csl-citation.json" }(Gilman 1). Even though the author wants to show what happens in reality, the author importantly intends to expres s the need to liberate women and grant them the respect they deserve. The narrator demonstrates that women can equally be strong. For instance, when the narrator takes control over her thoughts, her role becomes stronger which portray her potential as a better leader (Allen 78). This presents a clear feministic perspective assumed by the novel. The author seeks to demonstrate the need for women to be given chance to express their thoughts. The scholar also demonstrates that women are likely to achieve better than they do in oppression or than their male counterparts (Whitson 39).Furthermore, the author throughout the story shows dialogue as an aid to feminist balance. The Yellow Wallpaper describes the dialogue as a tool to break through the norms of the society. For instance, the narrator chooses to write the article in spite of the challenges the women face in the society, which eventually gets her freedom ADDIN CSL_CITATION { "citationItems" : [ { "id" : "ITEM-1", "itemData" : { "author" : [ { "dropping-particle" : "", "family" : "Gilman", "given" : "Cltarlotte Perkins", "non-dropping-particle" : "", "parse-names" : false, "suffix" : "" } ], "edition" : "9th editio", "id" : "ITEM-1", "issued" : { "date-parts" : [ [ "1982" ] ] }, "page" : "1-10", "title" : "the Yellow wall-Paper .", "type" : "book" }, "uris" : [ "/documents/?uuid=9c7973af-f602-4b2b-8a33-f32778754f51" ] } ], "mendeley" : { "formattedCitation" : "(Gilman)", "manualFormatting" : "(Stetson, pg 4)", "plainTextFormattedCitation" : "(Gilman)", "previouslyFormattedCitation" : "(Gilman)" }, "properties" : { "noteIndex" : 0 }, "schema" : "https://github.com/citation-style-language/schema/raw/master/csl-citation.json" }(Stetson 4). The Yellow Wallpaper presents depression as a sign of lack of expression in the society. For example, the narrator feels depressed and ill that she decides to author this book as a means of activism to empower women. ADDIN CSL_CITATION { "citationItems" : [ { "id" : "ITEM-1" , "itemData" : { "author" : [ { "dropping-particle" : "", "family" : "Gilman", "given" : "Cltarlotte Perkins", "non-dropping-particle" : "", "parse-names" : false, "suffix" : "" } ], "edition" : "9th editio", "id" : "ITEM-1", "issued" : { "date-parts" : [ [ "1982" ] ] }, "page" : "1-10", "title" : "the Yellow wall-Paper .", "type" : "book" }, "uris" : [ "/documents/?uuid=9c7973af-f602-4b2b-8a33-f32778754f51" ] } ], "mendeley" : { "formattedCitation" : "(Gilman)", "manualFormatting" : "( Gilman pg 5)", "plainTextFormattedCitation" : "(Gilman)", "previouslyFormattedCitation" : "(Gilman)" }, "properties" : { "noteIndex" : 0 }, "schema" : "https://github.com/citation-style-language/schema/raw/master/csl-citation.json" }(Gilman 5). She feels that women get exhausted when they fail to have a dialogue with their husbands. The novel also explains that societal pressure on women is attributable to lack of adequate dialogue, a perspective that is promoted by chauvinistic attitudes. For instan ce, the attitude assumed by the society makes the narrator feel ungrateful and of no value; however, she does not lose hope (Felski 48).The Yellow Wallpaper criticizes the treatment women receive in the society. The novel describes the treatment women receive as scorn and insanity ADDIN CSL_CITATION { "citationItems" : [ { "id" : "ITEM-1", "itemData" : { "author" : [ { "dropping-particle" : "", "family" : "Gilman", "given" : "Cltarlotte Perkins", "non-dropping-particle" : "", "parse-names" : false, "suffix" : "" } ], "edition" : "9th editio", "id" : "ITEM-1", "issued" : { "date-parts" : [ [ "1982" ] ] }, "page" : "1-10", "title" : "the Yellow wall-Paper .", "type" : "book" }, "uris" : [ "/documents/?uuid=9c7973af-f602-4b2b-8a33-f32778754f51" ] } ], "mendeley" : { "formattedCitation" : "(Gilman)", "manualFormatting" : "(Gilman, Pg 3)", "plainTextFormattedCitation" : "(Gilman)", "previouslyFormattedCitation" : "(Gilman)" }, "properties" : { "noteIndex" : 0 }, "schema" : "https://githu b.com/citation-style-language/schema/raw/master/csl-citation.json" }(Gilman 3). The advocacy for equal right is clear when author describes the environments of the female. The description makes the woman surrounding worse than the environment in prison aims at telling the society where they have placed the woman. The author describes ...

How the backout 1977 effect on Hip Hop - Free Essay Example

Over the last thirty-seven years Hip Hop has slowly but surely become a staple of American society and has achieved notoriety all over the world. Not only is Hip Hop music consistently one of the highest selling genres of music of any kind on the market today, but Hip Hop as a whole is highly influential in dictating trends of all kinds as well. On a macro level, large corporate entities use Hip Hop as a productive means of product promotion, marketing, and advertising. On a micro level Hip Hop dictates fashion, hairstyle, dialect, car choice, everyday mannerisms, musical preference, and even common greetings. The term Hip Hop itself has almost become a synonym for popular culture. Hip Hop is not a phenomenon. As it enters its fifth decade in existence, it is safe to say that Hip Hop is here to stay. With this in mind, the question becomes what is Hip Hop and where did it come from? The region known as the South Bronx is actually not a specific singular neighborhood but rather it is a group of neighborhoods located in the southwestern portion of New York Citys Bronx borough. While there is debate over which neighborhoods exactly constitute the South Bronx, it is clear that sections of the borough such as Hunts Point, Mott Haven, and Port Morris each make up the South Bronx. According to former Bronx Borough President Fernando Ferrer, the term the South Bronx did not exist before the 1960s. He contends that in reality the term was really just an inve ntion, a shorthand way to describe physically decaying neighborhoods, rising crime and rising poverty. Before the 1960s, the Bronx was divided into the West Bronx and East Bronx. In essence, the term South Bronx originated during the 1960s as a racial construct used to define areas in the southern portion of the borough containing nearly homogeneous populations of low-income African Americans and Latinos. Therefore, most of the borough south of the Cross Bronx Expressway and west of the boroughs Castle Hill section is designated as the South Bronx for geographically, socioeconomic, and racial reasons. Virtually all notable Hip Hop scholars recognize that beginning with Sugar Hill Records in late 1979 small independent record companies, some previously in existence and others newly formed, began signing MCs and releasing rap records on vinyl, which allowed audiences outside of the South Bronx to consume Hip Hop as a recorded, tangible commodity for the first time. Most also acknowledge that the culture has become completely commercialized over the years by corporations and used as a ma rketing tool. This thesis contends that initial investments in Hip Hop by local New York City and New Jersey based independent record companies and other small corporate entities paved the way for large corporate conglomerates to use Hip Hop for profit as well. Between 1973 and 1979 Hip Hop culture, with the exception of graffiti art, was not visible outside of New York City. DJing, MCing, and breakdancing were restricted to the Bronx and parts of Upper Manhattan. At first, youth in these areas experienced Hip Hop by attending DJs parties at local Boys and Girls Clubs, school gymnasiums, community centers in public housing projects, and multipurpose rooms in apartment buildings. As Hip Hop expanded, DJs began to perform at outdoor block parties, in parks, and at local nightclubs. According to Hip Hops first photographer Joe Conzo Jr., during this period the goals of Hip Hop had nothing to do with making money. In fact on a telephone interview from his home, Conzo stated, it was a young group of ki ds rebelling and playing their moms records at local jams throughout the desolate South Bronx.17 Michael Holman, creator of the television show Graffiti Rock, a show that got cancelled after one episode, furthers Conzos claim by contending, Hip Hop was truly a response to these kids being marginalized. It was a way of them saying we are not nobodies, we are somebody. Hip Hop is really look at me.18 Hip Hop was a lifestyle aimed at having fun, garnering respect on the streets, and indulging in inexpensive forms of artistic self-expression. It had no connections to the corporate music industry whatsoever. However, in 1979 this all changed when Sylvia Robinson of Sugar Hill Records conceived the idea of recording MCs raps and distributing them nationwide as a new genre of popular music. In order to understand the argument that beginning in 1979 independent record companies, most notably Sugar Hill Records, commodified Hip Hop culture by recording MCs raps onto 12-inch vinyl records for retail distribution and damaged the cultures authenticity in the process, it is necessary to comprehend the importance of authentic 1970s cultural institutions in the Bronx and Harlem. For example, Hip Hop was born in an apartment building located at 1520 Sedgwick Avenue in the Bronx. The building, which was erected in 1969, served the Bronx community by providing affordable housing to low-income residents and keeping them off the waiting lists for high-rise public housing projects. According to the spokesperson for Save 1520, an organization founded to combat gentrification efforts threatening to make the buildings affordable housing status obsolete, throughout the early 1970s 1520 Sedgwick Avenue made it possible for working families like DJ Kool Hercs to thrive and create the commu nities that gave rise to hip-hop.19 It is clear that this apartment building served a very important purpose to its South Bronx community during the 1970s, a decade in which the Bronx witnessed unparalleled urban decay. 1520 Sedgwick Avenue existed as an authentic Bronx cultural institution by providing both the socioeconomic and physical settings that made Hip Hops creation possible and by standing as a strong, private-sector affordable housing complex that did not fall victim to arson or condemnation during the most turbulent of years. In addition, nightclubs and local parks functioned as authentic cultural institutions in the Bronx and Harlem during the mid to late 1970s as well. In 1974, a variety of clubs throughout sections of the Bronx and Harlem began to embrace Hip Hop as a performance art and contracted DJs, most notably Kool Herc, to hold jams in their establishments. In Cant Stop Wont Stop: A History of the Hip-Hop Generation, Jeff Chang describes this process. After becoming well known for his house parties on Sedgwick Avenue and the surrounding neighborhood, Chang writes that local clubs such as Twilight Zone, which was located on Jerome Avenue, and The Hevalo Club often featured DJ Kool Herc and his crew of MCs.20 Soon other local Hip Hop DJs, who had built their reputations up throughout the house party scene in the Bronx as Herc had before them, began spinning at clubs such as Harlem World, Savoy Manor, Your Spot, Plaza Tunnel, and many others.21 These clubs were cultural institutions within their Br onx and Manhattan communities. They provided neighborhood DJs, which were Hip Hops central figures throughout the 1970s, with a place to hold organized jams, demonstrate their artistic skills, and solidify their reputations within the close-knit Hip Hop community. In order to be allowed to deejay in such a cultural institution, DJs had to be established within the inner circle of the local Hip Hop community. If not, people would not attend the functions. The arduous process of becoming well known and respected as a DJ on the local Bronx house party circuit granted DJs a sense of authenticity. Once established, playing in the clubs gave Bronx DJs a further sense of authenticity, legitimacy, and notoriety within their communities. Soon, as Chang explains, Hip Hop jams moved to outdoor parks in the South Bronx, most notably Cedar Park, which was located at the corner of Cedar Avenue, Sedgwick Avenue, and West 179th Street. This occurred during the summer months both because of the nice weather and because gangs made club jams unsafe.22 In order to hold a highly attended, successful park jam at a cultural institution such as Cedar Park, DJs had to have a well-established, positive reputation within the South Bronx Hip Hop community. At first, DJ Kool Herc dominated the outdoor jams at Cedar Park because of his impeccably large sound system and status as Hip Hops founder. However, over time other DJs learned from Herc and began holding large outdoor jams as well. During the mid to late 1970s, the Hip Hop community bestowed authenticity upon DJs based on the size and volume of their sound systems, the rarity of their records and quality of their breaks, and the crowd excitement generated by their MCs. Performing i n parks like Cedar Park granted a sense of authenticity to DJs and MCs. These performers statuses became even more authentic if their jams garnered large crowds, if their parties lasted for long-periods, and if their names were well known throughout the community. This authenticity was central to Hip Hop culture between 1973 and 1979. Without it, it would be nearly impossible to become recognized within the culture. Before various corporate entities realized the high marketability of Hip Hop, enabled its commercialization, distributed it as a tangible commodity, and transformed it into one of the most popular music genres and forms of entertainment in the world, Hip Hop existed as a localized artistic musical, social, and cultural phenomenon born in the South Bronx and eventually spreading to other areas of New York City. The cultures beginnings date back to 1973 when eighteen year old Jamaican immigrant Clive Campbell, better known as DJ Kool Herc, threw a back to school party for his little sister Cindy in the recreation room of an apartment building located in the far western portion of the South Bronx. As Chang indicates, by the time DJ Kool Herc threw this party he had already been heavily influenced by the sociopolitical and musical cultures of his native Jamaica. He grew up in Jamaica between 1955 and 1967, a period in which the country endured severe political conflict, violence, and unr est. However, through all of this turmoil, music remained a critical part of Jamaican culture. Musicians often threw outdoor parties and concerts where they showed off their tremendous sound systems. These parties gave young people the opportunity to temporarily escape from the violence around them. As a young boy, Clive Campbell witnessed all of the struggles plaguing his native Jamaica and learned from the islands sound system operators and musical traditions.35 An analysis of Changs arguments makes it is clear that both his experiences as a young boy growing up in an extremely turbulent sociopolitical climate and his exposure to unique Jamaican musical traditions prepared him for life in the South Bronx and enabled him to create an innovative musical culture in his new environment. On August 11, 1973 DJ Kool Herc created Hip Hop in the recreation room of an apartment building located at 1520 Sedgwick Avenue in the Bronx and deejaying became the first element of Hip Hop culture. DJ Kool Herc moved to the South Bronx in 1967, three years before street gangs composed of misguided, marginalized youth began to terrorize the area, which had already suffered from the effects of deindustrialization, arson, and other socioeconomic and physical ills of urban decay36. These gangs made many aspects of life in the South Bronx difficult for youth, including recreational and social activities. For example, teenagers often frequented disco-oriented clubs throughout the city beginning in the late 1960s. However, according to Hip Hop author and journalist Peter Shapiro, street gangs had a serious, detrimental effect on this club scene after 1970. He argues that gangs made disco clubs intolerable with their menacing presence.37 Discos failed to draw large crowds from the South Br onx and other low-income African American and Latino neighborhoods, not only because many of the teens in the area did not identify with the culture surrounding disco, but more importantly because many of the most prominent clubs cover charges were too expensive for South Bronx youth to afford.38 It is evident that as of 1973, adolescents and young adults from the area were eager for a new musical culture and affordable recreational activity to embrace. Therefore, when DJ Kool Herc threw his back to school party in August of 1973, a party with cheap admission and no disco music, teenagers from all over the predominantly African American and Latino, low-income sections of South Bronx were excited to attend. They were not disappointed.

Government Response Of Hurricane Katrina - 1194 Words

Government Response to Hurricane Katrina Levels of Government In my opinion, all three levels of government failed the people of New Orleans in responding to Hurricane Katrina. There was plenty of pushing the blame on one another that ended up delaying responses and finding results. It seemed like one level of government would try saying the other level of government is responsible for that role. For example, The Director of FEMA, Michael Brown would say that the local and state are in charge of evacuation planning. There is some truth to that, but according to the U.S federal law governing homeland security it states that FEMA, â€Å"operations to save lives, through evacuating potential victims.† (Producers, 2005). The national government, in particular the Federal Emergency Management Agency (FEMA) was one of the culprits. FEMA director, Michael Brown was quick to point the blame to the local and state governments for not being prepared and not providing FEMA a specific request. The video points out that FEMA received a 48 page document requesting additional resources from the state. The federal government did not know what their own government was doing. According to Richard Falkenrath, Homeland Security Advisor (2001-20014), â€Å"There was a period of days and we weren’t sure who was directing the federal response, and were all the actions being taken.† (Producers, 2005.) It took the Bush Administration 6 days to notify the American people of the failures of the federalShow MoreRelatedUnited States Government Response to Hurricane Katrina: Where Does the Blame Belong?1645 Words   |  7 PagesBusiness Dictionary, government involvement is considered any â€Å"regulatory acti on taken by a government in order to affect or interfere with decisions.† Many accuse the United States’ national government of minimal and slow actions taken after the tragedy of Hurricane Katrina, while others share the blame of this response. 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By all measuresRead MoreDisaster Management : Disasters And Disasters1565 Words   |  7 PagesManagement Introduction In today’s world, there has been one disaster or another, and hurricanes are one of those disasters that always happens. But, for one reason or another we are never prepared or understand the danger of any type of hurricane over a category one. Most of us have been through many hurricanes, like this learner has when lived in Miami, Fla for over 30 years, and the last hurricane she experience was hurricane Andrew. Warnings are always given, first responders are trained to alert, andRead MoreGovernment Interaction after Hurricane Katrina1764 Words   |  7 PagesBusiness Dictionary, government involvement is considered any â€Å"regulatory action taken by a government in order to affect or interfere with decisions.† Many accuse the United States’ national government of minimal and slow actions taken after the tragedy of Hurricane Katrina. 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